{"id":750,"date":"2021-09-05T11:13:41","date_gmt":"2021-09-05T10:13:41","guid":{"rendered":"https:\/\/dunjaknebl.com\/w2\/?page_id=750"},"modified":"2022-04-27T10:08:55","modified_gmt":"2022-04-27T09:08:55","slug":"songbook-songs-project","status":"publish","type":"page","link":"https:\/\/dunjaknebl.com\/w2\/songbook-songs-project\/","title":{"rendered":"Songbook Songs"},"content":{"rendered":"

KRATKA AUTOBIOGRAFIJA UZ POMO\u0106 PJESMARICA\/ZBIRKI NARODNIH PJESAMA, TE ALBUMA “SONGBOOK SONGS”, S PJESMAMA KAO USPUTNIM POSTAJAMA<\/strong><\/p>\n

SCROLL DOWN FOR\u00a0 THE\u00a0 E N G L I S H VERSION
\n<\/em><\/strong><\/h6>\n

\"\"<\/a><\/p>\n

Album je objavljen 5.11.2021. u izdanju GEENGER RECORDS https:\/\/dunjaknebl.bandcamp.com\/album\/songbook-songs<\/a>,<\/p>\n

a uz slijede\u0107i tekst\/”autobiografiju” objavljeni su linkovi za sve pjesme.<\/p>\n

 <\/p>\n

    \n
  1. The Wraggle Taggle Gypsies (Engleska\/England)<\/li>\n
  2. Tari Bali (Indonezija\/Indonesia)<\/li>\n
  3. \u041a\u0435\u0434 \u0441\u043e\u043c \u0438\u0448\u043e\u043b\/Ked som ishol (Rusinska\/Ruthenian)<\/li>\n
  4. \u041d\u0435 \u043f\u0438\u0442\u0430\u0439 \/Ne pitay (Ukrajina\/Ukraine)<\/li>\n
  5. \u0412\u043d\u0438\u0437 \u043f\u043e \u043c\u0430\u0442\u0443\u0448\u043a\u0435 \u043f\u043e \u0412\u043e\u043b\u0433\u0435\/Vniz po matushke po Volge (Rusija\/Russia)<\/li>\n
  6. Over There (SAD\/USA)<\/li>\n
  7. Hrej su\u0148ie\u010dko, hrej (Slova\u010dka\/Slovakia)<\/li>\n
  8. Slavuj, tico mala (Hrvatska\/Croatia)<\/li>\n
  9. \u0410 \u043d\u0430 \u0432\u043e\u0437\u0435\u0440\u044b \/A na vozery (Bjelorusija\/Belarus)<\/li>\n
  10. \u041e\u0439, \u0418\u0432\u0430\u043d\/Oy, Ivan (Rusija\/Russia)<\/li>\n
  11. The Praties They Grow Small (Engleska\/England)<\/li>\n
  12. Pove\u010d, golob (Hrvatska\/Croatia)<\/li>\n
  13. Moj se dragi u boj sprema (Hrvatska\/Croatia)<\/li>\n
  14. Prepelica prepeluje (Hrvatska\/Croatia)<\/li>\n<\/ol>\n

    Dugo sam imala osje\u0107aj da su me narodne pjesme vodile kroz \u017eivot. Zapravo, kao da su me vukle za ruku i usmjeravale kojim putem trebam i\u0107i. Kao da su mi kroz pjesme stizale poruke: \u201ePjevaj mene, osjeti me!\u201c, \u201ePoslu\u0161aj pjesmu; ona je i tvoja!\u201c.<\/p>\n

    Ne znamo tko su stvarni autori tradicijskih narodnih pjesama, pa tako one pripadaju svima, \u0161to nije daleko od istine. Narodne pjesme izvodili su razli\u010diti ljudi, prenosile su se usmenim putem, pa su se i mijenjale (i usavr\u0161avale) tijekom vremena; nije bilo pisanog \u201eoriginala\u201c.<\/p>\n

    No, podvla\u010de\u0107i crtu, prisje\u0107aju\u0107i se svojega \u017eivotnoga puta i okolnosti koje su me vodile kroz \u017eivot, savr\u0161eno je jasno: najva\u017eniju ulogu u mojem \u017eivotu odigrale su, zapravo, knjige s notama i rije\u010dima starih narodnih pjesma iz raznih zemalja – pjesmarice<\/u><\/em><\/strong>.<\/u> Nisu okolnosti bile odlu\u010duju\u0107e da jednog dana postanem pjeva\u010dica i za \u0161iri auditorij (tek sa 47 godina), niti porijeklo, ni roditelji, ni ljudi, ve\u0107 pjesme iz knjiga koje sam u\u010dila tijekom dugog niza godina, po\u010dev\u0161i od djetinjstva. One su poput dobronamjernih prijatelja odredile moju \u017eivotnu putanju, znaju\u0107i da \u0107u u kona\u010dnici shvatiti kako mi je najuzbudljivija, najzanimljivija i najljep\u0161a stvar na svijetu napraviti prema notama svoju interpretaciju neke tradicijske pjesme koju nikad prije nisam \u010dula. Tako je bilo od prve pjesme na samom po\u010detku kad sam imala trinaest godina, pa sve do danas, 20 albuma i \u0161ezdesetak godine kasnije.<\/p>\n

    Afinitet i ljubav prema narodnim pjesmama vjerojatno su probudili trenuci dok sam kao dijete slu\u0161ala odrasle kako se vesele dok pjevaju svi zajedno; naj\u010de\u0161\u0107e su to bili roditelji i \u010dlanovi obitelji.<\/p>\n

    \"\"<\/a><\/p>\n

    Uvijek je bilo veselo, zabavno uz predivan osje\u0107aj zajedni\u0161tva. \u0160irile su se pozitivne vibre koje su nadja\u010dale sve ono sivo i manje lijepo iz svakodnevnog \u017eivota.<\/p>\n

    O\u010dev posao nas je odveo u razne zemlje.\"\"<\/a>Uvijek sam pjevu\u0161ila, ili slu\u0161ala neku glazbu. U SAD-u, \u201ezaljubila\u201c sam se u Burl Ives-a, folk pjeva\u010da i sakuplja\u010da narodnih pjesama i njegove jednostavne pjesme uz gitaru. Fascinirali su me jednostavnost, iskrenost, osje\u0107ajnost i minimalizam u interpretaciji kojim me osvojio i kojim mi je vi\u0161e toga ispripovijedao nego ostali pjeva\u010di s pjesmama koje su bile umotane u daleko bogatije i kompleksnije forme. Do dana dana\u0161njega jo\u0161 mi je uvijek najve\u0107i izazov posti\u0107i da je sama pjesma u sredi\u0161tu zbivanja, da je istaknuta ljepota melodije i stihova uz minimalno \u201eukra\u0161avanje\u201c, te da \u201eambala\u017ea\u201c ne bude samoj sebi svrha.<\/p>\n

    Prva pjesma koju sam ikad nau\u010dila na temelju nota, a da je prethodno nikad nisam \u010dula, bila je \u201eThe Wraggle Taggle Gypsies, oh!\u201c iz knjige \u201eThe Fireside Book of Folk Songs\u201c koju je otac nabavio u Americi za vrijeme trogodi\u0161njeg boravka tamo i koja je bila jedna od knjiga koju smo donijeli pri povratku u domovinu.<\/p>\n

    Kako se to dogodilo? Imala sam 13 godina, u\u010dila sam svirati klavir u glazbenoj \u0161koli u Karlovcu i poku\u0161ala odsvirati pjesme iz lijepo ilustrirane knjige narodnih pjesama. Zaintrigirala me pjesma o lady <\/em>koja se tek udala, ali je ubrzo pobjegla s Romima koji su svirali i pjevali pred njenim dvorima, te je radije ostala \u017eivjeti s njima slobodna, bez udobnosti koju pru\u017eaju materijalne stvari. Mo\u017eda tada nisam svjesno shva\u0107ala duboko zna\u010denje pri\u010de i \u201eporuke\u201c. Tek puno godina kasnije spoznala sam da je to vrlo popularna i \u0161iroko rasprostranjena pjesma, ne samo u Velikoj Britaniji. \u010cula sam je u izvedbi tada sve popularnijih irskih glazbenika, ne slute\u0107i da \u0107e ona postati na neki na\u010din i moj \u017eivotni moto, moja \u017eivotna pri\u010da – kad sam napustila posao u velikoj firmi i (tek) sa 47 godina postala pjeva\u010dica za \u0161iri auditorij.<\/p>\n

    \"\"<\/a> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"\"<\/a><\/p>\n

    1. The Wraggle Taggle Gypsies : https:\/\/dunjaknebl.bandcamp.com\/track\/the-wraggle-taggle-gypsies-engleska-england<\/a><\/p>\n

    Nije bilo lako nau\u010diti pjesmu samo na temelju nota i teksta, no bila sam uporna, a zadovoljstvo je bilo veliko. Imala sam osje\u0107aj da je pjesma tako postala \u201emoja\u201c.<\/p>\n

    Nakon te prve, meni nepoznate pjesme koju sam pretvorila u \u201esvoju\u201c, ubrzo sam prona\u0161la i neke druge koje su me privukle i melodijama i svojim \u201epri\u010dama\u201c; nau\u010dila sam ih i pjevala uz gitaru.<\/p>\n

    Okolnosti su se ponovo promijenile za cijelu obitelj. O\u010dev novi posao odveo nas je u vrlo daleku zemlju \u2013 Indoneziju. Naravno, glazba je i dalje bila uto\u010di\u0161te. Nisam imala klavir, ali sam imala gitaru i radila sam pjesme prema \u2013 pjesmaricama. Me\u0111u njima bila je i knji\u017eica narodnih pjesama iz Indonezije. Naravno da sam po\u010dela u\u010diti pjesme iz te knjige, te nabavila i sve druge knjige s indonezijskim pjesmama do kojih sam mogla do\u0107i. Nije mi bilo te\u0161ko savladati neobi\u010dan na\u010din bilje\u017eenja glazbe pomo\u0107u brojki, crtica, to\u010dkica, jer sam uobi\u010dajeni notni sistem nau\u010dila u glazbenoj \u0161koli u Zagrebu.<\/p>\n

    \"\"<\/a> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"\"<\/a><\/p>\n

    2. Tari Bali https:\/\/dunjaknebl.bandcamp.com\/track\/tari-bali-indonezija-indonesia<\/a><\/p>\n

    Indonezijske narodne pjesme, one jako popularne, zvu\u010de tako da bi mogle bi biti i iz nekih drugih zemalja svijeta jer su vrlo melodiozne, lako se pjevaju. Zanimljive su rije\u010di pjesama. \u010cesto su to kratki stihovi koji se ponavljaju, sa skrivenim zna\u010denjima, mogu se interpretirati na razli\u010dite na\u010dine. To je i ina\u010de karakteristika svih dobrih narodnih pjesama \u2013 svevremenost i univerzalnost.<\/p>\n

    \"\"<\/a><\/p>\n

    Vrativ\u0161i se u Zagreb upisala sam studij ruskog i engleskog jezika i knji\u017eevnosti na Filozofskom fakultetu. I dalje sam pjevala prate\u0107i se na gitari, i dalje sam nabavljala pjesmarice.<\/p>\n

    \"\"<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \"\"<\/a><\/p>\n

    3.Ked som ishol\/\u041a\u0435\u0434 \u0441\u043e\u043c \u0438\u0448\u043e\u043b\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/ked-som-ishol-rusinska-ruthenian<\/a><\/p>\n

    Video: https:\/\/youtu.be\/_BrwhtuwJvo<\/a><\/p>\n

    Zalazila sam u knji\u017eare i antikvarijate. U tada\u0161njem antikvarijatu u Masarykovoj ulici (u Zagrebu) na\u0161la sam knjigu rusinskih narodnih pjesama koje je sakupio Vinko \u017dganec. Nau\u010dila sam nekoliko rusinskih pjesama, ne slute\u0107i da \u0107u puno godina kasnije saznati koliki je, zapravo, golem opus tog na\u0161eg vode\u0107eg etnomuzikologa. Nisam pojma imala da je on zabilje\u017eio u Hrvatskoj (i \u0161ire) tisu\u0107e pjesama. Znala sam samo za one popularne, \u010desto obra\u0111ivane i izvo\u0111ene narodne pjesme koje su se mogle \u010duti na radiju, ili su se nalazile u popularnim notnim izdanjima. Nisam znala za tisu\u0107e manje poznatih i zaboravljenih pjesama u knjigama koje su se mogle nabaviti samo u antikvarijatima ili knji\u017enicama. Nisam znala da one postoje. No, sada je prekasno filozofirati o tome “\u0161to bi bilo, da sam znala”. Ono \u0161to mogu, to \u010dinim od kada sam postala pjeva\u010dica za \u0161iri krug ljudi, pa i ovim tekstovima – \u0161irim znanje o zaboravljenim pjesmama u zaboravljenim knjigama gdjegod je to mogu\u0107e.<\/p>\n

    Moji roditelji pjevali su sve rje\u0111e, pa sam uz svoju \u201eprijateljicu\u201c gitaru poku\u0161avala raditi ne\u0161to \u0161to me vra\u0107alo u lijepe trenutke djetinjstva. Nau\u010dila sam usput da trebamo sami stvarati lijepe trenutke u \u017eivotu. I tako sam pjevala prijateljima\u2026 Ili smo svi pjevali i svirali. Ili sam pjevala kod ku\u0107e sama.<\/p>\n

    Studij ruskog jezika i knji\u017eevnosti obuhva\u0107ao je i neke druge predmete; dva semestra slu\u0161ala sam \u201eUkrajinski jezik\u201c. Ukrajinsku pjesmu \u201eNe pitaj\u201c nau\u010dila sam iz jedne male knji\u017eice-pjesmarice. Pjesmarica se izgubila, ali je pjesma ostala u sje\u0107anju.<\/p>\n

    4. Ne pitay\/\u041d\u0435 \u043f\u0438\u0442\u0430\u0439\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/ne-pitay-ukrajina-ukraine<\/a><\/p>\n

    \"\"<\/a><\/p>\n

    Pjevanje uz gitaru nastavilo se u dru\u0161tvu studenata s faksa, imali smo \u010dak i \u201eKlub ruske pjesme\u201c. Pridru\u017eili bi nam se i profesori koji su predavali knji\u017eevnost. Iz posu\u0111enih pjesmarica prepisivala sam pjesme koje su mi se svidjele, u\u010dila ih sama, a zatim u\u010dila i druge jer sam vodila \u201eSekciju za u\u010denje ruskih pjesama\u201c. Sastajali smo se u podrumskoj prostoriji Filozofskog fakulteta i pjevali. Lijepa su bila ta dru\u017eenja, \u010desto smo se nastavili dru\u017eiti i izvan fakulteta.<\/p>\n

    Sa\u010duvala se iz tih vremena notna bilje\u017enica (donesena iz Indonezije) u koju sam prepisivala narodne pjesme iz posu\u0111enih knjiga. Me\u0111u ostalim, u njoj je i prijepis jedne od najpoznatijih i najizvo\u0111enijih ruskih narodnih pjesama uop\u0107e, a koju sam tada nau\u010dila prema notama. Tek sam je, puno godina kasnije, \u010dula u raznim interpretacijama.<\/p>\n

    5. Vniz po matushke po Volge\/\u0412\u043d\u0438\u0437 \u043f\u043e \u043c\u0430\u0442\u0443\u0448\u043a\u0435 \u043f\u043e \u0412\u043e\u043b\u0433\u0435<\/p>\n

    https:\/\/dunjaknebl.bandcamp.com\/track\/vniz-po-matushke-po-volge-rusija-russia<\/a><\/p>\n

    \"\"<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \"\"<\/a><\/p>\n

    I tako su za vrijeme mojih studentskih dana narodne pjesme iz sve ve\u0107eg broja zemalja postale dio moje svakodnevice. To je bilo doba bez interneta; izvor informacija bile su knjige, \u010dasopisi, novine\u2026 Povremeno su u mali broj zagreba\u010dkih knji\u017eara stizale neke inozemne knjige, \u010dasopisi, plo\u010de; no, bila je stvar sre\u0107e na\u0107i ne\u0161to zanimljivo.<\/p>\n

    U\u010dila sam nove pjesme, ali nisam zaboravljala ni one\u00a0 \u201estare\u201c. Ponovo su do\u0161le do izra\u017eaja pjesme iz jedne ameri\u010dke knjige narodnih pjesama, \u201cThe Fireside Book of Favorite American Songs\u201c.<\/p>\n

    Pjesmu \u201eOver There\u201c nau\u010dila sam jer su me zaintrigirale rije\u010di (\u201e,Da sam barem guska! One \u017eive i odu (umiru) u miru, fino utovljene…\u201c) O\u010dito je pjesmu spjevao netko kojemu je glad bila svakodnevica.). Impresionirala me i ilustracija uz pjesmu i potpis ispod naslova: \u201ePorijeklo ove pjesme pravi je misterij. Objavljena je 1844.\u201c<\/p>\n

    6. Over There https:\/\/dunjaknebl.bandcamp.com\/track\/over-there-sad-usa<\/a><\/p>\n

    Tek puno godina kasnije, u jednoj drugoj knjizi na\u0161la sam odgovor na pitanje gdje je i kojim povodom nastala ta \u201emisteriozna\u201c pjesma (pjesma na albumu pod brojem 6).<\/p>\n

    \"\"<\/a>\u00a0 \"\"<\/a><\/p>\n

    Studentsko eksperimentalno kazali\u0161te u Zagrebu postavilo je predstavu \u201eViet-Rock\u201c na tragu mjuzikla \u201eKosa\u201c, te sam dobila poziv da pjevam u njoj songove – zahvaljuju\u0107i mojem ameri\u010dkom repertoaru. Nikad nisam imala ambiciju postati glumicom, ali kad mi se pru\u017eila mogu\u0107nost sudjelovati u kazali\u0161noj predstavi, rado sam prihvatila izazov da upoznam svijet kazali\u0161ta \u201eiznutra\u201c. Nakon tog iskustva zaklju\u010dila sam da mi je ljep\u0161e pjevati za prijatelje onako kako ja \u017eelim i osje\u0107am, nego nastojati uspjeti prema uobi\u010dajenim kanonima i nepisanim pravilima, slu\u0161aju\u0107i druge i pona\u0161aju\u0107i se kako drugi \u017eele i zahtijevaju.<\/p>\n

    Nakon zavr\u0161enog studija zaposlila sam se kao profesorica\/predava\u010d ruskog i engleskog jezika u jednoj zagreba\u010dkoj vi\u0161oj \u0161koli. Ali, ne za dugo. Na\u0161av\u0161i se u Moskvi na jednomjese\u010dnom usavr\u0161avanju ruskog jezika, tra\u017eila sam posvud \u201ena licu mjesta\u201c plo\u010de i pjesmarice s ruskim pjesmama. To je svima tamo bilo neobi\u010dno \u2013 \u201e\u0160ta \u0107e ti\/vam te selja\u010dke pjesme?\u201c pitali su. Jedino nije bilo \u010dudno mojem prvom mu\u017eu koji je i sam volio pjevati ba\u0161 te, stare narodne pjesme.\"\"<\/a><\/p>\n

    \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

     <\/p>\n

    I tako mi se \u017eivot ponovo promijenio jer sam se udala i na\u0161la u Rusiji u kojoj sam \u017eivjela oko dvanaest godina. Naravno da je gitara bila uz mene i da sam i dalje pjevala prijateljima te neke \u201eselja\u010dke pjesme\u201c, meni najdra\u017ee. Naravno da sam i dalje kupovala knjige narodnih pjesama, ne samo iz Rusije. Repertoar se \u0161irio, pa su se na\u0161le i pjesme iz zemalja u kojima nisam nikad \u017eivjela.<\/p>\n

    7. Hrej su\u0148ie\u010dko, hrej\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/hrej-su-ie-ko-hrej-slova-ka-slovakia<\/a><\/p>\n

    \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

    Ali, nisam zaboravila ni hrvatske. Omiljena pjesma iz poklonjene pjesmarice bila je \u201eSlavuj, tico mala\u201c, koju, poput mnogih drugih nisam nikad \u010dula nego sam je napravila prema notama sredinom sedamdesetih godina pro\u0161loga stolje\u0107a. Sasvim nesvjesno promijenila sam slavuja iz naslova u \u201emalu\u201c ticu, a ne \u201emladu\u201c ticu kako je u knji\u017eici. Nisam se ba\u0161 u potpunosti\u00a0 dr\u017eala niti notnog predlo\u0161ka. Kad sam to primijetila, odlu\u010dila sam zadr\u017eati svoju varijantu. U po\u010detku sam imala gri\u017enju savjesti \u0161to sam to napravila, ali tijekom vremena sam do\u0161la do spoznaje da su pjeva\u010di dosta \u010desto mijenjali rije\u010di nekih pjesama, vjerojatno nesvjesno. Nisu mogli slu\u0161ati snimke (ako ih je uop\u0107e bilo), nisu imali niti su znali \u010ditati note; sve je i\u0161lo prema sje\u0107anju.<\/p>\n

    \"\"<\/a><\/p>\n

    \"\"<\/a>\u00a0 \u00a0\u00a0 \"\"<\/a><\/p>\n

    8. Slavuj, tico mala https:\/\/dunjaknebl.bandcamp.com\/track\/slavuj-tico-mala-hrvatska-croatia<\/a><\/p>\n

    Poslu\u0161ajte pjesmu i pogledajte video! :\u00a0 https:\/\/youtu.be\/RjUEUS5AmTw<\/a><\/p>\n

    Pjesmu \u201eSlavuj ‘tica mlada\u201c zapisao je Ludvik Kuba, \u010de\u0161ki folklorist, slikar, profesor, putuju\u0107i po Slavoniji. To je jedan od zapisa u knji\u017eici \u201eNarodne pjesme i kola iz Slavonije\u201c objavljenoj 1963. u redakciji Stjepana Stepanova i Ive Furi\u0107a.<\/em><\/p>\n

    Varijante pjesme mogu se prona\u0107i i u drugim krajevima Hrvatske, te u Bosni i Hercegovini. U varijanti iz Dalmacije melodija je potpuno druk\u010dija, ali je shema stihova sli\u010dna: tri tuge i njihov \u201eopis\u201c.<\/em><\/p>\n

    U obradi pjesme izostavila sam svjesno nekoliko stihova prema svojem osje\u0107aju i \u017eelji da “pri\u010du” napravim jednostavnijom, a time i univerzalnijom. Nije nam iz ovih zapisanih stihova Ludvika Kube poznato radi \u010dega je \u010dovjek iz pjesme tugovao, pa mo\u017eemo zami\u0161ljati koji bi to mogli biti razlozi. To mi se puno vi\u0161e svidjelo nego detaljan opis na koji sam nai\u0161la u jednoj od varijanata pjesme gdje na\u0161 “junak” jadikuje jer je – bolestan.<\/em><\/p>\n

    Prva moja obrada te pjesme objavljena je 1995. na albumu ETHNO AMBIENT LIVE (s Lidijom Bajuk i skupinom Legen) https:\/\/youtu.be\/pK43sp92gKk<\/a><\/p>\n

     <\/p>\n

    \"\"<\/a><\/p>\n

    Prekrasna i vrlo neobi\u010dna melodija zainteresirala me za pjesmu iz Bjelorusije. A tek predivni stihovi\u2026 Ljubavni, naravno.<\/p>\n

    9, A na vozery\/\u0410 \u043d\u0430 \u0432\u043e\u0437\u0435\u0440\u044b \u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/a-na-vozery-bjelorusija-belarus<\/a><\/p>\n

    \"\"<\/a> \u00a0\u00a0 \"\"<\/a><\/p>\n

    Kad sam boravila u Rusiji (sedamdesetih i osamdesetih godina pro\u0161loga stolje\u0107a), jo\u0161 je uvijek bilo uobi\u010dajeno dru\u017eiti se uz gitare i pjesme. Bilo je to vrijeme kad su svi znali i pjevali pjesme najpopularnijih tada u Rusiji pjesnika\/kantautora Bulata Okud\u017eave i Vladimira Visockog. Njihove pjesme postale su narodne prema dana\u0161njem poimanju tog termina \u2013 autori su poznati, ali su pjesme jako \u0161iroko rasprostranjene, svi ih znamo pjevati i osje\u0107amo ih svojima. A ja sam ba\u0161 voljela pjevati \u201eselja\u010dke\u201c, prave<\/em> narodne pjesme. Voljela sam iznenaditi ruske prijatelje ruskim narodnim pjesmama koje nikad nisu \u010duli.<\/p>\n

    10. Oy Ivan\/\u041e\u0439 \u0418\u0432\u0430\u043d \u00a0\u00a0https:\/\/dunjaknebl.bandcamp.com\/track\/oy-ivan-rusija-russia<\/a><\/p>\n

    \"\"<\/a> \u00a0 \"\"<\/a><\/p>\n

    Nakon povratka u Hrvatsku \u017eivot je i dalje bio lak\u0161i uz pjesmu. Pjevala sam, ali nisam stigla u\u010diti neke nove pjesme.<\/p>\n

    \"\"<\/a>\"\"<\/a>\"\"<\/a><\/p>\n

    12. Pove\u010d, golob https:\/\/dunjaknebl.bandcamp.com\/track\/pove-golob-hrvatska-croatia<\/a><\/p>\n

    Do velike promjene do\u0161lo je 1993. kad su ratne okolnosti promijenile puno toga. Izvukla sam iz svoje zbirke kupljenih knjiga-pjesmarica jednu iz koje nisam nikad ni\u0161ta obradila. Bila sam na godi\u0161njem odmoru, a nije se putovalo zbog rata. I u Zagrebu su se \u010desto \u010dule sirene, a najgora je bila neizvjesnost. U knjizi \u201eHrvatske pu\u010dke popijevke iz Me\u0111imurja\u201c koje je sakupio Florijan Andra\u0161ec, pjesnik i zaljubljenik u me\u0111imursku tradiciju, nai\u0161la sam na neke pjesme koje su pri\u010dale o ljudima zahva\u0107enima ratnim zbivanjima, pa se to poklopilo s mojim emocijama. Bio je to sna\u017ean impuls da nau\u010dim te, meni sasvim nepoznate pjesme, iz dijela Hrvatske u kojem nikad do tada nisam bila. Bilo je te\u0161ko u po\u010detku, ali su me pjesme u potpunosti op\u010dinile svojom ljepotom.<\/p>\n

    Naravno, pjevala sam ih prijateljima koji su bili vi\u0161e nego iznena\u0111eni prekrasnim pjesmama koje nikad nisu \u010duli, pa su organizirali moj prvi javni koncert na kojem sam pjevala taj novi repertoar, sama uz pratnju gitare. Nakon tog nastupa, pjesme iz knjiga-zbirki hrvatskih tradicijskih pjesama povele su me na duga\u010dak put kojim kora\u010dam sada ve\u0107 gotovo 30 godina.<\/p>\n

    \"\"<\/a> \u00a0\u00a0 KIC – Kulturno-informativni centar, Zagreb, 16.04.1993.<\/p>\n

    Postala sam pjeva\u010dica za \u0161iroki auditorij. Uz sve ve\u0107i broj pjesama iz raznih zemalja, ipak sam u\u010dila i snimala prvenstveno one pjesme iz Hrvatske koje nisam nikad \u010dula, ali i slabo poznate pjesme koje su mo\u017eda i snimljene, ali ih vi\u0161e nitko ne pjeva.<\/p>\n

    Povremeno sam radila i pjesme iz drugih zemalja. Nakon jednog putovanja u SAD, moja sestra Biljana donijela mi je knjigu pjesama koje je sakupio Burl Ives, onaj moj omiljeni pjeva\u010d, jo\u0161 od djetinjstva. Nisam znala da ta knjiga postoji. U njoj sam prona\u0161la odgovor na misterij oko porijekla pjesme \u201eOver There\u201c.\u00a0 Pjesma iz knjige Ives-a \u201eThe Praties They Grow Small\u201c\u00a0 ima sli\u010dnu melodiju i rije\u010di kao misteriozna pjesma i mogla bi se zvati \u201eOver Here\u201c.<\/p>\n

    11. The Praties They Grow Small https:\/\/dunjaknebl.bandcamp.com\/track\/the-praties-they-grow-small-engleska-england<\/a><\/p>\n

    \"\"<\/a> \u00a0\u00a0\"\"<\/a><\/p>\n

    O\u010digledno je, da su je u Ameriku donijeli iz Irske nakon velike krize sredinom 19. stolje\u0107a kad je nekoliko uzastopnih godina bila katastrofalno velika nesta\u0161ica krumpira, pa su Irci masovno odlazili u Ameriku \u201etrbuhom za kruhom\u201c. Sa sobom su ponijeli i svoje pjesme koje su se ponekad u potpunosti prilagodile novim uvjetima \u017eivota. I tako su nakon dolaska u Ameriku pjevali o tome \u0161to se doga\u0111alo \u201etamo\u201c u Irskoj (over there). Odli\u010dan primjer kako pjesme putuju, mijenjaju se i prilago\u0111avaju okolnostima.<\/p>\n

    Na fotografiji su moja sestra Biljana i njezin sin Goran kada nismo ni sanjali da \u0107e on jednoga dana oti\u0107i \u017eivjeti i raditi “over there”.<\/p>\n

    \"\"<\/a><\/p>\n

    A otkrila sam tijekom godina brojne druge knjige s notama narodnih pjesama; one starije zbirke doktora \u017dganca, te sve ve\u0107i broj novih pjesmarica koje su se po\u010dele objavljivati.<\/p>\n

    Jedna od novijih knjiga-pjesmarica je \u201ePjesmom na vezove\u201c s pjesmama zabilje\u017eenima u Slavoniji. \u201eMoj se dragi u boj sprema\u201c varijanta je vrlo rasprostranjene pjesme koja ima dosta ina\u010dica, ne samo u Hrvatskoj: negdje se dragi<\/em> sprema na put, a negdje u boj, ali u svim primjerima njegova draga<\/em> pla\u010de i ne miri se s tim da je on ostavlja u svom dvoru kod majke<\/em>. Odabrala sam je kao primjer otpora prema patrijarhalnim obi\u010dajima, ali i kao svojevrstan protest protiv rata koji razdvaja voljene osobe.<\/p>\n

    13, Moj se dragi u boj sprema\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/moj-se-dragi-u-boj-sprema-hrvatska-croatia<\/a><\/p>\n

    \"\"<\/a> \u00a0 \u00a0\"\"<\/a><\/p>\n

    Pjesma iz \u017dgan\u010deve zbirke koju sam ostavila za kraj albuma govori o tome kako se prepelica-majka boji za svoje mlade jer \u0107e ih stalno i posvuda u \u017eivotu vrebati opasnosti. Ne zna kako da ih za\u0161titi, pa im daje najbolji savjet koji zna: \u201eJedite, pijte, moje male (prepelice),\u00a0 kako biste \u0161to prije narasle i mogle letjeti\u201c.<\/p>\n

    14. Prepelica prepeluje https:\/\/dunjaknebl.bandcamp.com\/track\/prepelica-prepeluje-hrvatska-croatia<\/a><\/p>\n

    .\"\"<\/a> \u00a0 \u00a0 \"\"<\/a><\/p>\n

    Spoti\u0107: https:\/\/youtu.be\/rToKuJDIh9o<\/a><\/p>\n

    Divna poruka svima nama\u2026Treba rasti i letjeti, ne samo na krilima pjesme.<\/p>\n

    Ponekad nam za to trebaju \u2013 knjige.<\/p>\n

    Recenzija albuma: Marija Vitas – ETNOUMLJE 10.02.2022.<\/p>\n

    https:\/\/worldmusic.org.rs\/2022\/02\/10\/magazin-etnoumlje-usi-pisu-dunja-knebl-i-roko-margeta-songbook-songs-recenzija-albuma\/<\/a><\/p>\n

    SONGBOOK SONGS (album) \u2013 Nazivi knjiga u kojima su pjesme s albuma<\/strong><\/p>\n

      \n
    1. The Wraggle Taggle Gypsies (Engleska)<\/strong><\/li>\n<\/ol>\n

      Fireside Book of Folk Song<\/p>\n

      Simon and Schuster, 1947<\/p>\n

        \n
      1. Tari Bali (Indonezija)<\/strong><\/li>\n<\/ol>\n

        LAGU2 Indonesia 2 \u2013 nema podataka o izdava\u010du<\/p>\n

          \n
        1. Ked som ishol \/\u041a\u0435\u0434 \u0441\u043e\u043c \u0438\u0448\u043e\u043b (Rusinska\/Ruthenian)<\/strong><\/li>\n<\/ol>\n

          Dr. Vinko \u017dganec \u2013 PJESME JUGOSLAVENSKIH RUSINA\/\u041f\u0406\u0421\u041d\u0406 \u042e\u0490\u041e\u0421\u041b\u0410\u0412\u042f\u041d\u0421\u041a\u0406\u0425 \u0420\u0423\u0421\u0418\u041d\u0406\u0412<\/p>\n

          Naklada autorova<\/p>\n

          Tisak Nakladnog zavoda Hrvatske, Zagreb, 1946<\/p>\n

            \n
          1. \u041d\u0435 \u043f\u0438\u0442\u0430\u0439 \/Ne pitay (Ukrajina)<\/strong><\/li>\n<\/ol>\n

            Pjesma iz izgubljene knjige ukrajinskih narodnih pjesama, prema sje\u0107anju<\/p>\n

              \n
            1. \u0412\u043d\u0438\u0437 \u043f\u043e \u043c\u0430\u0442\u0443\u0448\u043a\u0435 \u043f\u043e \u0412\u043e\u043b\u0433\u0435\/Vniz po matu\u0161ke po Volge (Rusija)<\/strong><\/li>\n<\/ol>\n

              Pjesma prepisana davno iz posu\u0111ene knjige zaboravljenog naslova<\/p>\n

                \n
              1. Over There (SAD)<\/strong><\/li>\n<\/ol>\n

                The Fireside Book of Favorite American Songs<\/p>\n

                Simon and Schuster, inc., 1952<\/p>\n

                  \n
                1. Hrej su\u0148ie\u010dko, hrej (Slova\u010dka)<\/strong><\/li>\n<\/ol>\n

                  Slovenske l’udove piesne IV (Slova\u010dke narodne pjesme IV)<\/p>\n

                  Vydavatel’stvo Slovenskej akademie vied, Bratislava 1964<\/p>\n

                    \n
                  1. Slavuj, tico mala (Hrvatska)<\/strong><\/li>\n<\/ol>\n

                    Narodne pjesme i kola iz Slavonije<\/p>\n

                    Savez muzi\u010dkih dru\u0161tava i organizacija Hrvatske, 1963.<\/p>\n

                      \n
                    1. \u0410 \u043d\u0430 \u0432\u043e\u0437\u0435\u0440\u044b \/A na vozery (Bjelorusija)<\/strong><\/li>\n<\/ol>\n

                      \u0410\u043d\u0442\u0430\u043b\u043e\u0433\u0456\u044f \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0430\u0439 \u043d\u0430\u0440\u043e\u0434\u043d\u0430\u0439 \u043f\u0435\u0441\u043d\u0456 (Antologija bjeloruskih narodnih pjesama<\/p>\n

                      \u0412\u044b\u0434\u0430\u0432\u0435\u0446\u0442\u0432\u0430 “\u0411\u0435\u043b\u0430\u0440\u0443\u0441\u044c” \u041c\u0456\u043d\u0441\u043a 1975<\/p>\n

                        \n
                      1. \u041e\u0439, \u0418\u0432\u0430\u043d \/ Oy, Ivan (Rusija)<\/strong><\/li>\n<\/ol>\n

                        \u041c. \u0421\u0442\u0430\u0445\u043e\u0432\u0438\u0447: \u0420\u0443\u0441\u0441\u043a\u0438\u0435 \u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0435 \u043f\u0435\u0441\u043d\u0438 (M. Stahovich: Ruske narodne pjesme)<\/p>\n

                        \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u041c\u0443\u0437\u044b\u043a\u0430, \u041c\u043e\u0441\u043a\u0432\u0430, 1964<\/p>\n

                          \n
                        1. The Praties They Grow Small (Engleska)<\/strong><\/li>\n<\/ol>\n

                          The Burl Ives Song Book<\/p>\n

                          Ballantine books, New York, 1953<\/p>\n

                            \n
                          1. Pove\u010d, golob (Hrvatska)<\/strong><\/li>\n<\/ol>\n

                            Florijan Andra\u0161ec – Hrvatske popijevke iz Me\u0111imurja<\/p>\n

                            Tisak\/Publisher: \u201eZRINSKI\u201c \u010cakovec, 1981.<\/p>\n

                              \n
                            1. Moj se dragi u boj sprema (Hrvatska)<\/strong><\/li>\n<\/ol>\n

                              Pjesmom na vezove<\/p>\n

                              Turisti\u010dko dru\u0161tvo \u201e\u0110akova\u010dki vezovi\u201c, Ogranak Matice hrvatske \u0110akovo<\/p>\n

                              \u201eTIPOGRAFIJA\u201c d.d. \u0110akovo, 1994<\/p>\n

                                \n
                              1. Prepelica prepeljuje (Hrvatska)<\/strong><\/li>\n<\/ol>\n

                                Vinko \u017dganec: Hrvatske pu\u010dke popijevke iz Me\u0111imurja, Knjiga I.<\/p>\n

                                Zavod za istra\u017eivanje folklora, Zagreb, 1990.<\/p>\n

                                \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

                                O PROJEKTU\u00a0 “SONGBOOK SONGS” ili \u201eMOJ \u017dIVOT UZ PJESME IZ KNJIGA \u2013 PJESMARICA”<\/strong><\/p>\n

                                Moja \u017eivotna pri\u010da bila bi potpuno druga\u010dija da nisam jo\u0161 u djetinjstvu zavoljela u\u010diti pjesme prema notama iz knjiga. Kad napuni\u0161 75 godina, sve je jasnije, slika je potpunija. Slijedi (jo\u0161 jedna) \u0161etnja kroz moj \u017eivot, s knjigama u fokusu. Ovo \u0107e biti kronolo\u0161ka pri\u010da o tome \u0161to je bilo prije moje \u201ehrvatske pri\u010de\u201c – moja autobiografija pomo\u0107u knjiga iz kojih sam u\u010dila pjesme i pjevala ih kod ku\u0107e ili prijateljima.<\/p>\n

                                Knjige su va\u017ene! Nije sve na internetu<\/strong>\u2026<\/p>\n

                                Nau\u010dila sam tijekom godina da su pjesmarice, knjige s notama i rije\u010dima tradicijskih narodnih pjesmama naro\u010dito va\u017ene, jer mnoge od njih \u010duvaju pjesme koje se nigdje vi\u0161e ne mogu \u010duti. Naime, problem je \u201esamo\u201c u tome da neke pjesme nisu nikad snimljene, te ih se mo\u017ee nau\u010diti pjevati i svirati isklju\u010divo na temelju nota. U dana\u0161nje vrijeme postoji veliki broj muzi\u010dara koji su izvrsni umjetnici, bez obzira na to \u0161to se nisu \u0161kolovali. Oni naj\u010de\u0161\u0107e ne znaju \u010ditati note jer \u00a0smatraju da im to ne treba, a to je \u010desto i to\u010dno za vrstu glazbe koju izvode.<\/p>\n

                                Ciljevi ovog projekta:\u00a0\u00a0\u00a0 <\/strong><\/p>\n

                                  \n
                                1. – Naglasiti dana\u0161nje apsurdne okolnosti gdje se narodne pjesme zaboravljaju ba\u0161 zato \u0161to se nalaze u knjigama\/pjesmaricama u obliku nota i tekstova, a koje su marljivi etnomuzikolozi decenijama pa i stolje\u0107ima bilje\u017eili – da bi se sa\u010duvale<\/em><\/strong>. Mo\u017eda bi mnogi pjeva\u010di\/muzi\u010dari potra\u017eili te pjesme u knjigama kad bi znali da ih ima tako veliki broj (i da su tako lijepe). Danas je izuzetno malo onih koji rade obrade na temelju nota. Op\u0107enita je pojava, ne samo u na\u0161oj zemlji, da se recikliraju u bezbroj varijanti one pjesme koje su ve\u0107 uspje\u0161no obra\u0111ene, ve\u0107 imaju svoju publiku i ve\u0107 su snimljene. Mo\u017eda se nikad vi\u0161e ne\u0107e \u010duti narodne pjesme koje nisu nikad snimljene, a ima ih na tisu\u0107e u knjigama<\/em><\/strong> (zato sam po\u010dela pjevati i snimati zaboravljene hrvatske pjesme).<\/li>\n<\/ol>\n

                                  U ovom projektu nisu u pitanju \u201esamo\u201c hrvatske pjesme nego op\u0107enita pojava da ako ne\u0161to nije na internetu \u2013 ne postoji. Odnosno, ako nije snimljeno.<\/p>\n

                                    \n
                                  1. – nabrojati knjige\/pjesmarice iz kojih su pjesme na popratnom albumu, jer sam kao djevoj\u010dica upravo tako po\u010dela u\u010diti pjesme koje nisam prije toga \u010dula.<\/li>\n
                                  2. – nabrojati hrvatske zbirke za koje nisam znala da postoje, a koje su u potpunosti promijenile moj \u017eivot – mo\u017eda bi se jo\u0161 poneki muzi\u010dar zainteresirao za pjesme iz knjiga i poku\u0161ao s obradom onih zaboravljenih.<\/li>\n
                                  3. – pobuditi zanimanje za ovaj projekt i izvan na\u0161e zemlje, jer su pjesme obra\u0111ene prema notama\/pjesmaricama iz raznih zemalja, na razli\u010ditim jezicima.<\/li>\n<\/ol>\n

                                    Osim toga, album ima svoju \u201epri\u010du\u201c i zna\u010dajne poruke..<\/p>\n

                                    Poruka ovog uvoda je: \u00a0\u010cuvajte ba\u0161tinu, nije sve na internetu, listajte knjige!<\/p>\n

                                    Projekt je multimedijalan; puno toga \u0107e se mo\u0107i pro\u010ditati, poslu\u0161ati i vidjeti na internetu (na mojoj web stranici, na mojem YouTube kanalu, Fb stranicama \u2026). U planu je video gdje pri\u010dam o svemu ovome i pokazujem konkretne knjige, konkretne pjesme, pjevam i govorim o tome kako obra\u0111ujem njihove tekstove i glazbu.<\/p>\n

                                    Neke od pjesama koje sam odabrala za album SONGBOOK SONGS snimila sam ranije i objavila na pojedinim albumima. One su sada u druga\u010dijem aran\u017emanu, u suradnji s Rokom Margetom.<\/p>\n

                                     <\/p>\n

                                     <\/p>\n

                                    I N\u00a0\u00a0\u00a0 E N G L I S H:<\/strong><\/p>\n

                                    A SHORT AUTOBIOGRAPHY BASED ON FOLK-SONG SONGBOOKS<\/strong><\/p>\n

                                    WITH SONGS FROM THE SONGBOOK SONGS<\/em> ALBUM AS STATIONS ALONG THE WAY<\/strong>\"\"R<\/a>eleased by Geenger Records on November 5, 2021:<\/p>\n

                                    https:\/\/dunjaknebl.bandcamp.com\/album\/songbook-songs<\/a><\/p>\n

                                      \n
                                    1. The Wraggle Taggle Gypsies (Engleska\/England)<\/li>\n
                                    2. Tari Bali (Indonezija\/Indonesia)<\/li>\n
                                    3. \u041a\u0435\u0434 \u0441\u043e\u043c \u0438\u0448\u043e\u043b\/Ked som ishol (Rusinska\/Ruthenian)<\/li>\n
                                    4. \u041d\u0435 \u043f\u0438\u0442\u0430\u0439 \/Ne pitay (Ukrajina\/Ukraine)<\/li>\n
                                    5. \u0412\u043d\u0438\u0437 \u043f\u043e \u043c\u0430\u0442\u0443\u0448\u043a\u0435 \u043f\u043e \u0412\u043e\u043b\u0433\u0435\/Vniz po matushke po Volge (Rusija\/Russia)<\/li>\n
                                    6. Over There (SAD\/USA)<\/li>\n
                                    7. Hrej su\u0148ie\u010dko, hrej (Slova\u010dka\/Slovakia)<\/li>\n
                                    8. Slavuj, tico mala (Hrvatska\/Croatia)<\/li>\n
                                    9. \u0410 \u043d\u0430 \u0432\u043e\u0437\u0435\u0440\u044b \/A na vozery (Bjelorusija\/Belarus)<\/li>\n
                                    10. \u041e\u0439, \u0418\u0432\u0430\u043d\/Oy, Ivan (Rusija\/Russia)<\/li>\n
                                    11. The Praties They Grow Small (Engleska\/England)<\/li>\n
                                    12. Pove\u010d, golob (Hrvatska\/Croatia)<\/li>\n
                                    13. Moj se dragi u boj sprema (Hrvatska\/Croatia)<\/li>\n
                                    14. Prepelica prepeluje (Hrvatska\/Croatia)<\/li>\n<\/ol>\n

                                      For a long time now I have had the feeling that folk songs have been leading me through life; as if they had taken me by my hand and directing me as to which way to go, which choices to make. It seemed to me I was getting messages from many of the folk songs I found in books: \u201eSing me, feel me!\u201c, \u201eListen to the song, it is your song too!\u201c<\/p>\n

                                      We do not know the real authors of the majority of traditional folk songs, so they belong to all of us, and this is not far from being the truth. Folk songs were performed by different people, they were passed on through time from person to person orally, and in such a way they underwent changes and were perfected through time. There never was a written original.<\/p>\n

                                      However, when remembering my life path and the circumstances that paved my way, it is perfectly clear that songbooks with notes and lyrics of old traditional folk songs from various countries had played the most important role. It was not the circumstances that had been crucial in making me become a folk singer for the wider public (later in life, at the age of 47), or my descent, or parents, or people, but folk songs I had been learning from books for quite a number of years, since my childhood. They have guided me along my life\u2019s path like kind friends, knowing I would finally realize that the most exciting, the most interesting and the best thing in the world for me was when I was learning and deciding how to interpret and arrange some traditional folk song I had never heard before. It was the way I felt at the very beginning when learning the first song when I was thirteen, and nothing has changed since \u2013 21 albums and some sixty years later.<\/p>\n

                                      The affinity and love for folk songs were probably awakened by those moments in my childhood when I listened to grownups having fun while singing together; most often my parents and family members. It was always jolly, entertaining and fun, with a wonderful feeling of togetherness, sharing something precious. The result was always with the positive vibes overpowering the not so nice moments in life.<\/p>\n

                                      \"\"<\/a><\/p>\n

                                      Father\u2019s job took us all to various countries. I was always singing to myself or listening to music. In the USA I fell in love with the music of Burl Ives, the folk singer and folk song collector, and with his simple guitar accompanied songs. I was fascinated with the simplicity, sincerity, warmth and feeling of interpretation (his early recordings). The minimalism was sufficient in conveying much more complex stories and emotions than many others who had a vast variety of musical components and tools at their disposal.<\/p>\n

                                      To this very day it is still a challenge to let the song itself be at the center of everything, and to accentuate the beauty of the melody and lyrics with minimum decoration, not letting the \u201cwrapping material\u201d be an end in itself.<\/p>\n

                                      \"\"<\/a><\/p>\n

                                       <\/p>\n

                                      The first song I had never heard previously but learned on basis of notes was \u201eThe Wraggle Taggle Gypsies!\u201c from the book \u201eThe Fireside Book of Folk Songs\u201c that my father had received as a gift in America during our three-year long stay there.<\/p>\n

                                      \"\"<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \"\"<\/a><\/p>\n

                                      1. The Wraggle Taggle Gypsies https:\/\/dunjaknebl.bandcamp.com\/track\/the-wraggle-taggle-gypsies-engleska-england<\/a><\/p>\n

                                      How did this happen? I was learning to play the piano, and tried to play some of the songs from the nicely illustrated books of folk songs we brought with us when returning from the States. I was intrigued by the story of a lady who had just married a lord, but shortly ran away with some Gypsies and voluntarily lived their life of freedom without the comfort of material things. Perhaps I did not quite understand at the time the deep meaning of the story and the conveyed \u201cmessage\u201d. Only years afterwards I learned it was a very popular and widely known folk song not only in Great Britain. I then heard the interpretation of a very popular Irish band, still not having the slightest idea that in a way it would become the story of my life when I quit the steady job of a translator in a big company in order to become a folk singer at 47, considered by most people to be a very unusual age for such a step in life. It was not easy to learn a song on basis of written music and lyrics only, but I was very persistent, and the pleasure was great. I had the feeling that in a way the song had become mine. After this first unknown-to-me song that I turned into \u201cmine\u201d, I found some other songs that I liked because of their nice melodies and stories, and I learned to sing them to a simple guitar accompaniment.<\/p>\n

                                      After several years in my home country the circumstances once again changed for my whole family and me. Father’s new job took us all to a very distant exotic land \u2013 Indonesia. Of course, music remained a sanctuary for me. I did not have a piano, but I had a guitar and learned to play songs from \u2013 songbooks. Among them were songbooks with popular folk songs from Indonesia. It was not difficult to learn how to read the unusual manner of writing music with the help of numbers, dots and lines because I had previously learned to read the usual sheet music system.<\/p>\n

                                      \"\"<\/a> \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \"\"<\/a><\/p>\n

                                      2. Tari Bali https:\/\/dunjaknebl.bandcamp.com\/track\/tari-bali-indonezija-indonesia<\/a><\/p>\n

                                      Indonesian folk songs, the very popular ones known by everyone in that vast country, resemble folk songs from some other countries. The lyrics are very interesting. Although the verses are often short and repetitive, they have many hidden meanings that can be interpreted in many ways. But, this is true for the all good folk songs – they are timeless and universal.<\/p>\n

                                      \"\"<\/a><\/p>\n

                                      When I returned to Zagreb, I enrolled with the Faculty of Philosophy choosing to study Russian and English languages and literature. I continued to sing accompanying myself on my guitar, and I continued to collect songbooks, visiting the regular bookshops and second-hand ones as well. In one of the second-hand bookshops I bought a songbook of Ruthenian folk songs collected by Vinko \u017dganec. I learned several Ruthenian songs, not knowing that one day I would learn about the huge body of work left behind by this leading Croatian ethnomusicologist. I had no idea at the time about his collecting not only hundreds, but thousands of folk songs not only in Croatia. I only knew about the most popular folk songs that could be heard on the radio, or the ones found in songbooks containing popular folk songs. I did not know about the thousands of less popular or forgotten songs that could be found in second-hand bookshops or libraries only. I did not know about their existence. Perhaps my life would have been quite different, had I discovered this earlier.<\/p>\n

                                      3. Ked som ishol\/\u041a\u0435\u0434 \u0441\u043e\u043c \u0438\u0448\u043e\u043b \u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/ked-som-ishol-rusinska-ruthenian<\/a><\/p>\n

                                      Video: https:\/\/youtu.be\/_BrwhtuwJvo<\/a><\/p>\n

                                      \"\"<\/a> \u00a0\u00a0 \"\"<\/a><\/p>\n

                                      My parents spent less and less time singing, and so I sand songs with my friend \u2013 my guitar, the ones that reminded me of those happy childhood days. Along the way I learned a lesson that helped me throughout my life: we ourselves should be the ones generating our happy moments. And so, I sang to friends, or we all sang and played music together. Or I was singing at home alone.<\/p>\n

                                      Alongside my Russian language and literature studies I took courses of Ukrainian. Of course, I also bought some songbooks with Ukrainian folk songs. I learned the song \u201eNe pitay\u201c (\u201eDon’t ask me\u201c) on basis of notes from a small songbook that got lost along the way. I don’t have the songbook any more, but I still remember the song.<\/p>\n

                                      4. Ne pitay\/\u041d\u0435 \u043f\u0438\u0442\u0430\u0439\u00a0\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/ne-pitay-ukrajina-ukraine<\/a><\/p>\n

                                      \"\"<\/a>Singing to my guitar’s accompaniment continued in the company of fellow-students; we even had a club dedicated to singing Russian folk songs. Sometimes we were joined in singing by our teachers of Russian literature. From borrowed songbooks I copied the songs I liked by hand.<\/p>\n

                                      When going through my stuff from my student days, I found a music notebook (brought from Indonesia) to which I had copied songs from borrowed songbooks. Among others, I found one of the most well-known and most interpreted Russian folk songs I had learned at the time. It was many years afterwards that I actually heard the song in various interpretations.<\/p>\n

                                      5. Vniz po matushke po Volge\/\u0412\u043d\u0438\u0437 \u043f\u043e \u043c\u0430\u0442\u0443\u0448\u043a\u0435 \u043f\u043e \u0412\u043e\u043b\u0433\u0435\u00a0\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/vniz-po-matushke-po-volge-rusija-russia<\/a><\/p>\n

                                      \"\"<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/a>\"\"<\/a><\/p>\n

                                      During the years to follow the number of folk songs I learned from songbooks grew, and so did the number of countries from where the songs came from. It was a period in time when there was no Internet. The sources of information were books, magazines, newspapers\u2026 Only rarely did the Zagreb bookshops get shipments from abroad: foreign books, magazines, and vinyl records. However, it was pure luck to stumble upon anything of interest.<\/p>\n

                                      I learned new songs, but I did not forget the \u201eold\u201c ones. It so happened that once again I renewed my singing of songs from one of the American songbooks: \u201cThe Fireside Book of Favorite American Songs\u201c.<\/p>\n

                                      I had learned the song \u201eOver There\u201c because the lyrics intrigued me (\u201eI wish I was a geese ’cause they lives and dies in peace, and accumulates much grease eating corn.) I was imressed by the illustartion as well and the words under the title: \u201eThe origin of this song is a mystery. It was published in 1844\u201c. Only years later would I find the answers to the mystery of the song, and what it was about.<\/p>\n

                                      6. Over There https:\/\/dunjaknebl.bandcamp.com\/track\/over-there-sad-usa<\/a><\/p>\n

                                      \"\"<\/a> \"\"<\/a><\/p>\n

                                      In 1968 Studentsko eksperimentalno kazali\u0161te (Student Experimental Theatre) in Zagreb staged the musical show \u201eViet-Rock\u201c, following the trend of \u201eHair\u201c and similar shows, and I was invited to sing thanks to my knowledge of American folk songs. I never had the ambition to become an actress, but this was something I thought I could do, and I grabbed at the opportunity to get to know the theatre from the inside. After the experience I came to the conclusion that I liked best singing to a small circle of friends rather than be instructed to behave in such a way as to comply with the numerous written and unwritten rules of show business.\"\"<\/a>After completing my studies, I began working as a teacher\/lecturer of Russian and English with one of the schools in Zagreb, but not for long. When going to Moscow and attending a course for foreign teachers of Russian, I searched everywhere for vinyl records and songbooks with Russian folk songs. It was shocking to hear the words :\u201cWhy do you need those peasant songs?\u201c coming from people working in book shops and record stores. It was then that I fell in love with my first husband who did not find my interest in Russian folk music strange because he himself knew and sang some folk songs (he was not Russian). We got married and sang together for a while.<\/p>\n

                                      So once again my life changed completely. I lived in Russia for almost twelve years. Of course my guitar was with me and I continued to sing to my new friends those \u201epeasant\u201c songs. Those songs remained to be my favourite ones. Of course, I continued acquiring folk song songbooks, and they were not from Russia only, but from some other countries too. My repertoire grew.<\/p>\n

                                      \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

                                      7. Hrej su\u0148ie\u010dko, hrej\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/hrej-su-ie-ko-hrej-slova-ka-slovakia<\/a><\/p>\n

                                      \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

                                      However, I did not forget the Croatian ones.<\/p>\n

                                      \"\"<\/a><\/p>\n

                                      A favourite song from a songbook given to me as a present was the song \u201eSlavuj, tico mlada\u201c. Like many other songs I learned, it was a song I had never heard before, and so the interpretation was my own.<\/p>\n

                                      8. Slavuj, tico mala\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/slavuj-tico-mala-hrvatska-croatia<\/a><\/p>\n

                                      https:\/\/youtu.be\/RjUEUS5AmTw<\/a><\/p>\n

                                       <\/p>\n

                                      \"\"<\/a>\u00a0 \u00a0\u00a0 \"\"<\/a><\/p>\n

                                      The song was collected by Ludvik Kuba (Czech folklorist, musician, painter, professor at the Academy of Fine Arts) during his field trip in Slavonija. It is one of the songs in the songbook \u201eNarodne pjesme i kola iz Slavonije\u201c (“Folk Songs and Folk Circle Dances from Slavonija”), published in 1963, edited by\u00a0 Stjepan Stepanov and Ivo Furi\u0107.<\/em><\/p>\n

                                      Variations of the song can be found in other parts of Croatia, and also in Bosnia and Herzegovina. The melody in the similar song collected in Dalmatia is different, but the pattern of the verses is similar: three sorrows and their “description”.<\/em><\/p>\n

                                      I was surprised when I first noticed that I was unconsciously changing some words of the folk songs I was singing. I was sometimes forgetting the original lyrics and even the melodies;”original” meaning the songbooks as the source. It was not much : a word or two, or a note or two. It worried me at first, but then I realized it was similar to what happened with the singers of long ago. They did not have any written or recorded sources to remind them of the “original” song versions, everything was interpreted on basis of memory. Sometimes they were even deliberately creative in order to present their own interpretations of a song’s emotions or “stories”.<\/em><\/p>\n

                                      When arranging this song for the voice and guitar, I deliberately omitted some of the verses, wishing to make the song more simple and thereby more versatile\/universal. It is not clear on basis of the lyrics recorded by Ludvik Kuba what the person in the song was grieving about, so we can\u00a0 make our own assumptions. I liked this much more than to have a more detailed description as,\u00a0 for instance, in the case of one of the song’s versions where the man is unhappy because he is ill.<\/em><\/p>\n

                                      I kept my guitar arrangement for this new interpretation, and Roko Margeta added some more instruments taking the song to a different level (tapan, small percussion, bansuri, kalimba, rainstick).<\/em><\/p>\n

                                      My first arrangement of the song was made and recorded for the 1995 album ETHNO AMBIENT LIVE (a live concert with Lidija Bajuk and Legen)<\/em> https:\/\/youtu.be\/pK43sp92gKk<\/a><\/p>\n

                                      \"\"<\/a><\/p>\n

                                      9. A na vozery\/A \u043d\u0430 \u0432\u043e\u0437\u0435\u0440\u044b\u00a0\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/a-na-vozery-bjelorusija-belarus<\/a><\/p>\n

                                      A beautiful and unusual sounding melody caught my attention when I decided to learn a song from Belarus, a love song.<\/p>\n

                                      \"\"<\/a> \u00a0\u00a0 \"\"<\/a><\/p>\n

                                      When living in Moscow (during the 20th century’s Seventies and Eighties), meeting with friends and talking and singing with them was still the usual thing to do. It was a period when everyone was singing songs by the most popular singers-songwriters then: Okudzava and Vysotsky. Their songs became folk songs, everyone knew them. But I continued to love my favorites \u2013 the\u00a0 real \u201epeasant\u201c folk songs. I loved to surprise my Russian friends by singing Russian folk songs they had never heard before, the ones I learned from songbooks.<\/p>\n

                                      10. Oy, Ivan\/\u041e\u0439, \u0418\u0432\u0430\u043d\u00a0\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/oy-ivan-rusija-russia<\/a><\/p>\n

                                      \"\"<\/a> \"\"<\/a><\/p>\n

                                      After returning to Croatia life continued to be easier with the help of music. I continued to sing but I did not often have the time and energy to learn new songs. A dramatic turning point in my life was in 1993, when war circumstances made an impact on all our lives. I finally looked into some songbooks I did not have time to study previously. I could not believe it: I did not know a single song from the book \u201eHrvatske pu\u010dke popijevke iz Me\u0111imurja\u201c (Croatian Folk Songs from Me\u0111imurje), a collection of folk songs collected by the Me\u0111imurean poet Florijan Andra\u0161ec. The songs that impressed me most at the time were songs linked with people caught in circumstances of war, and it was something I could relate to, even though my situation was not as dramatic as that of others. The songs describing life stories of people who had to go to war or of those left behind by men leaving their families and loved ones were very emotional. The impulse to learn the songs was very strong and this was necessary in order to learn songs that were unknown to me, from a part f Croatia I had never visited, in a dialect I did not speak or fully understand. It was very difficult at the beginning, but the songs were so beautiful that I was under their spell completely.<\/p>\n

                                      Of course, I sang them to friends who were amazed to hear such magical songs they had never heard before, and a friend organized my first concert open to general public. The program consisted of the \u201enew\u201c songs I had discovered. From that moment onward, songs from Andra\u0161ec’s collection of forgotten or almost-forgotten traditional folk songs took me on a long journey, for almost 30 years now.<\/p>\n

                                      12. Pove\u010d, golob https:\/\/dunjaknebl.bandcamp.com\/track\/pove-golob-hrvatska-croatia<\/a><\/p>\n

                                      \"\"<\/a> \u00a0\u00a0 \"\"<\/a><\/p>\n

                                      I became a folk singer, and began recording albums. The goal has remained the same: to record as many traditional folk songs from Croatia as possible, especially the ones I had never heard before, or those that had been recorded in the past, but there was no-one singing them anymore.<\/p>\n

                                      I \u201ediscovered\u201c many other Croatian folk song songbooks I did not know existed: the older collections by Vinko \u017dganec, Franjo Kuha\u010d and others, as well as the growing number of songbooks newly published during the Nineties and to date.<\/p>\n

                                      A decade ago I unexpectedly found the answer to the mystery of \u201eOver There\u201c, the song I mentioned describing my early years with songs from songbooks. My sister Biljana brought me a wonderful gift after visiting the USA : a songbook she stumbled upon in a second-hand bookshop with songs collected by Burl Ives, my favourite folk singer since my childhood days. I had no idea such a book existed. One of the sings in the book entitled \u201eThe Praties They Grow Small\u201c\u00a0 has a similar melody and lyrics as \u201eOver There\u201c.<\/p>\n

                                      11. The Praties They Grow Small\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/the-praties-they-grow-small-engleska-england<\/a><\/p>\n

                                      \"\"<\/a> \u00a0\"\"<\/a><\/p>\n

                                      It is evident that the song had been brought from Ireland when many traveled to America because of the great disaster caused by several years of crop failure. They brought many songs with them, and sometimes adapted them fully to new circumstances. It is an excellent example of how folk songs travelled and changed depending on many factors. They are an interesting source of information for historians and they tell us many stories about life in different times and different places.<\/p>\n

                                      There is a long list of songs I have chosen to record one day for some future album of forgotten or semi-forgotten traditional folk songs. The following song has made its way to the shortlist for this album of songbook songs. I hope I will succeed in recording the other ones as well.<\/p>\n

                                      13. Moj se dragi u boj sprema\u00a0\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/moj-se-dragi-u-boj-sprema-hrvatska-croatia<\/a><\/p>\n

                                      \"\"<\/a> \u00a0 \"\"<\/a><\/p>\n

                                      And finally, a Me\u0111imurean song collected by the well-known Vinko \u017dganec. Legend has it that the number of songs collected by him amounts to many thousands.<\/p>\n

                                      \"\"<\/a> \u00a0\u00a0\u00a0 \"\"<\/a><\/p>\n

                                      14. Prepelica prepeluje\u00a0 https:\/\/dunjaknebl.bandcamp.com\/track\/prepelica-prepeluje-hrvatska-croatia<\/a><\/p>\n

                                      Video: https:\/\/youtu.be\/rToKuJDIh9o<\/a><\/p>\n

                                      This song tells about the fears of a mother-quail for her young ones because they will face many dangers in life, regardless of the road they take. She gives them the best advice she knows: \u201eEat and drink, my young ones, so that you grow strong enough and then you can fly!\u201c<\/p>\n

                                      A great message to all\u2026<\/p>\n

                                      It is great to fly on wings of songs, but to do this we sometimes need \u2013 books.<\/p>\n

                                      \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n

                                       <\/p>\n

                                       <\/p>\n

                                      SONGBOOK SONGS (album) <\/strong><\/p>\n

                                      Titles of songbooks where the album songs can be found<\/strong><\/p>\n

                                        \n
                                      1. The Wraggle Taggle Gypsies (Engleska\/England)<\/strong><\/li>\n<\/ol>\n

                                        Fireside Book of Folk Song<\/p>\n

                                        Simon and Schuster, 1947<\/p>\n

                                          \n
                                        1. Tari Bali (Indonezija\/Indonesia)<\/strong><\/li>\n<\/ol>\n

                                          LAGU2 Indonesia 2 \u2013 nema podataka o izdava\u010du \/no info on publisher<\/p>\n

                                            \n
                                          1. Ked som ishol \/\u041a\u0435\u0434 \u0441\u043e\u043c \u0438\u0448\u043e\u043b (Rusinska\/Ruthenian)<\/strong><\/li>\n<\/ol>\n

                                            Dr. Vinko \u017dganec \u2013 PJESME JUGOSLAVENSKIH RUSINA\/\u041f\u0406\u0421\u041d\u0406 \u042e\u0490\u041e\u0421\u041b\u0410\u0412\u042f\u041d\u0421\u041a\u0406\u0425 \u0420\u0423\u0421\u0418\u041d\u0406\u0412 (Yugoslavian Ruthenians’ Songs)<\/p>\n

                                            Naklada autorova\/ self-published by the author<\/p>\n

                                            Tisak Nakladnog zavoda Hrvatske, Zagreb, 1946<\/p>\n

                                              \n
                                            1. \u041d\u0435 \u043f\u0438\u0442\u0430\u0439 \/Ne pitay (Ukrajina\/Ukraine)<\/strong><\/li>\n<\/ol>\n

                                              Pjesma iz izgubljene knjige ukrajinskih narodnih pjesama, prema sje\u0107anju \/Song from a lost Ukrainian folk song booksong, as remembered<\/p>\n

                                                \n
                                              1. \u0412\u043d\u0438\u0437 \u043f\u043e \u043c\u0430\u0442\u0443\u0448\u043a\u0435 \u043f\u043e \u0412\u043e\u043b\u0433\u0435\/Vniz po matu\u0161ke po Volge (Rusija\/Russia)<\/strong><\/li>\n<\/ol>\n

                                                Pjesma prepisana davno iz posu\u0111ene knjige zaboravljenog naslova\/Song copied long ago manually, from a borrowed songbook, the title of which I don’t remember<\/p>\n

                                                  \n
                                                1. Over There (SAD\/USA)<\/strong><\/li>\n<\/ol>\n

                                                  The Fireside Book of Favorite American Songs<\/p>\n

                                                  Simon and Schuster, inc., 1952<\/p>\n

                                                    \n
                                                  1. Hrej su\u0148ie\u010dko, hrej (Slova\u010dka\/Slovakia)<\/strong><\/li>\n<\/ol>\n

                                                    Slovenske l’udove piesne IV<\/p>\n

                                                    Vydavatel’stvo Slovenskej akademie vied, Bratislava 1964<\/p>\n

                                                      \n
                                                    1. Slavuj, tico mala (Hrvatska\/Croatia)<\/strong><\/li>\n<\/ol>\n

                                                      Narodne pjesme i kola iz Slavonije<\/p>\n

                                                      Savez muzi\u010dkih dru\u0161tava i organizacija Hrvatske, 1963.<\/p>\n

                                                        \n
                                                      1. \u0410 \u043d\u0430 \u0432\u043e\u0437\u0435\u0440\u044b \/A na vozery (Bjelorusija)<\/strong><\/li>\n<\/ol>\n

                                                        \u0410\u043d\u0442\u0430\u043b\u043e\u0433\u0456\u044f \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0430\u0439 \u043d\u0430\u0440\u043e\u0434\u043d\u0430\u0439 \u043f\u0435\u0441\u043d\u0456 (Anthology of Belarusian Folk Songs)<\/p>\n

                                                        \u0412\u044b\u0434\u0430\u0432\u0435\u0446\u0442\u0432\u0430 “\u0411\u0435\u043b\u0430\u0440\u0443\u0441\u044c” \u041c\u0456\u043d\u0441\u043a 1975<\/p>\n

                                                          \n
                                                        1. \u041e\u0439, \u0418\u0432\u0430\u043d \/ Oy, Ivan (Rusija)<\/strong><\/li>\n<\/ol>\n

                                                          \u041c. \u0421\u0442\u0430\u0445\u043e\u0432\u0438\u0447: \u0420\u0443\u0441\u0441\u043a\u0438\u0435 \u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0435 \u043f\u0435\u0441\u043d\u0438 (M. Stahovich: Russian Folk Songs)<\/p>\n

                                                          \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u041c\u0443\u0437\u044b\u043a\u0430, \u041c\u043e\u0441\u043a\u0432\u0430, 1964<\/p>\n

                                                            \n
                                                          1. The Praties They Grow Small (Engleska)<\/strong><\/li>\n<\/ol>\n

                                                            The Burl Ives Song Book<\/p>\n

                                                            Ballantine books, New York, 1953<\/p>\n

                                                              \n
                                                            1. Pove\u010d, golob (Hrvatska\/Croatia)<\/strong><\/li>\n<\/ol>\n

                                                              Florijan Andra\u0161ec – Hrvatske popijevke iz Me\u0111imurja (Croatian Folk Songs from Me\u0111imurje)<\/p>\n

                                                              Tisak\/Publisher: \u201eZRINSKI\u201c \u010cakovec, 1981.<\/p>\n

                                                                \n
                                                              1. Moje se dragi u boj sprema (Hrvatska\/Croatia)<\/strong><\/li>\n<\/ol>\n

                                                                Pjesmom na vezove<\/p>\n

                                                                Turisti\u010dko dru\u0161tvo \u201e\u0110akova\u010dki vezovi\u201c, Ogranak Matice hrvatske \u0110akovo<\/p>\n

                                                                \u201eTIPOGRAFIJA\u201c d.d. \u0110akovo, 1994<\/p>\n

                                                                  \n
                                                                1. Prepelica prepeljuje (Hrvatska\/Croatia)<\/strong><\/li>\n<\/ol>\n

                                                                  Vinko \u017dganec: Hrvatske pu\u010dke popijevke iz Me\u0111imurja, Knjiga I.<\/p>\n

                                                                  Zavod za istra\u017eivanje folklora, Zagreb, 1990.<\/p>\n

                                                                   <\/p>\n

                                                                   <\/p>\n

                                                                  ABOUT\u00a0\u00a0 THE\u00a0\u00a0\u00a0 SONGBOOK\u00a0\u00a0\u00a0 SONGS<\/em> \u00a0 PROJECT<\/strong><\/p>\n

                                                                   <\/p>\n

                                                                  My life story would have been completely different if I hadn’t begun learning folk songs from folk-song books since I was 13. When you are 75, everything seems clearer, there is a certain pattern to it all.<\/p>\n

                                                                  This will be a stroll through my life, with the focus on b o o k s. It will be a chronological story about what preceded my \u201eCroatian folksong story\u201c\u2013 \u00a0my autobiography with the help of books from which I learned songs, singing them at home or to my friends.<\/p>\n

                                                                  Books are important! The Internet does not have it all\u2026<\/strong><\/p>\n

                                                                  I learned through the years that songbooks, books containing collected traditional folk songs (music and lyrics), are especially important because they preserve songs that cannot be heard anywhere any more. The \u201eproblem \u201clies only in the fact that some traditional folk songs have never been recorded, and one can learn to sing them or play them only on basis of sheet music.<\/p>\n

                                                                  There is a vast number of musicians today who are great artists, even though they do not have formal music school or conservatory education. Most often they do not know how to read music because they do not consider this to be necessary for them, and most often this is all right for the kind of music they perform.<\/p>\n

                                                                  Project goals: <\/strong><\/p>\n

                                                                    \n
                                                                  1. – to stress today’s absurd circumstances when folk songs are being forgotten because they can be found only in written form in books\/songbooks, whereas they had been collected in this form by ethnomusicologists and enthusiasts for centuries now, – NOT to be forgotten. Instead of rearranging the already recorded songs that they hear from others or find in \u201eMost popular folk songs \u2026 \u201c editions, perhaps the musicians who do read music and like folk music would look for inspiration in books, if they knew what a vast number of beautiful forgotten folk songs are buried there. The folk songs that have been recorded previously, the ones that have already become popular, are being recycled over and over again. On the other hand, thousands of songs from many old songbooks will probably never be heard again. This is the basic reason I began singing in public at 47, and recording forgotten Croatian folk songs.<\/li>\n<\/ol>\n

                                                                    This project is not just about forgotten folk songs, but about the general state of things in music: if it is not on the Internet – \u00a0it does not exist. On the other hand, if music is not recorded, if it does not have audio files \u2013 it cannot be on the Internet.<\/p>\n

                                                                      \n
                                                                    1. \u2013 to list the titles of the books\/songbooks from which I learned the songs on the Songbook Songs album (Release date: November 5, 2021), because I have been learning folk songs in this way my whole life.<\/li>\n
                                                                    2. \u2013 to list the titles of Croatian songbooks I did not know existed, the ones that have changed my life completely. Perhaps some musicians would find this interesting and try to learn and make arrangements for some of the forgotten songs.<\/li>\n
                                                                    3. – perhaps this could be interesting for people in other parts of the world too, because there is a similar situation in many countries: forgotten songs in forgotten songbooks.<\/li>\n<\/ol>\n

                                                                      The overall message is : Take care of your heritage! There are many interesting things that you cannot find on the Internet. Try searching for them in books!<\/p>\n","protected":false},"excerpt":{"rendered":"

                                                                      KRATKA AUTOBIOGRAFIJA UZ POMO\u0106 PJESMARICA\/ZBIRKI NARODNIH PJESAMA, TE ALBUMA “SONGBOOK SONGS”, S PJESMAMA KAO USPUTNIM POSTAJAMA SCROLL DOWN FOR\u00a0 THE\u00a0 E N G L I S H VERSION Album je objavljen 5.11.2021. u izdanju GEENGER RECORDS https:\/\/dunjaknebl.bandcamp.com\/album\/songbook-songs, a uz slijede\u0107i tekst\/”autobiografiju” objavljeni su linkovi za sve pjesme.   The Wraggle Taggle Gypsies (Engleska\/England) Tari Bali […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-750","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/pages\/750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/comments?post=750"}],"version-history":[{"count":33,"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/pages\/750\/revisions"}],"predecessor-version":[{"id":1122,"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/pages\/750\/revisions\/1122"}],"wp:attachment":[{"href":"https:\/\/dunjaknebl.com\/w2\/wp-json\/wp\/v2\/media?parent=750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}